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More Freedom from Content

May 3rd, 2009

Originally posted on January, 24, 2008

My previous article, Freedom from Content, as well as an article posted June 15, 2007, Big Answers, approach the same problem from different directions. At the risk of being repetitious I will broach the subject yet again. Hopefully my attempts to get my mental teeth into this problem will be of interest.

Goethe asserted, “All that we perceive is simply raw material.? This short statement not only answers a basic philosophical question, it also states clearly a basic reality of life. There is an important and significant time lag which normally people ignore. Immediately following our perception of something a number of things happen at such a subtle level and so quickly we jump at the thoughts which come to mind. We all do it. It’s easy and comfortable. But it is these missed sensations, internal body processes, perceptions, etc., which make up the palette of life, the building blocks of experience. The artist is the person who intervenes in this sub-thinking process. The sensations of Cezanne and Matisse can be understood in this context.

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Freedom from Content

May 2nd, 2009

Originally posted on January, 7, 2008

"Purple Pool", watercolor, 38cm x 28cm, 100% cotton paper, 2005

On the main page in the gallery section of my website there is a short introduction: “Somehow I have recently gained a certain distance and freedom from the content of painting…? I have just recently acquired this sense of distance. The paintings I am now doing speak to me of it. Understanding is slowly following.

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Beyond How to do Watercolor

May 2nd, 2009

Originally posted on December, 17, 2007

The logical question following how to paint watercolor is what to paint. Bearing both questions in mind at the beginning helps accelerate the learning curve. I’ve given these questions of the budding artist painter more than just a little reflection. Advice has been asked by many other the years. Subsequently, there were many days and hours of talking with them about becoming a painter as well as much painting together. In the end teaching and learning become indistinguishable and I fondly remember these encounters.

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Are painters rational?

May 1st, 2009

Originally posted on November, 30, 2007

To the extend that an artist painter is intuitive and instinctive, he does not favour his intellect. This is not to say that he cannot express him/herself logically. It is simply not the priority. Creative expression is often at the top of the list.

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