April 28th, 2009
Originally posted on June, 15, 2007
I guess that I never was educated out of believing in answers. All of us, when we were little, did not become nervous when the teacher put a problem on the blackboard. We KNEW that she had the answer. Somewhere along the line most of us forget that life is like that. There could not be a problem, or a question, unless there was a pre-existing answer. It cannot be otherwise There are many complex explanations as to why we forget this. One often overlooked reason, is that much of what shapes and underlies modern reality is not sensible. Buckminster Fuller wrote about this. He talked about the changes in industry during the first-world war. The new technology became invisible. (And when the masters of technology reached the point where they no longer understand what was going on? Then what?) Another big reason why we devalue our innate intelligence is our poor understanding of what art is and how it functions.
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Posted in Art, Artist-Art |
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April 27th, 2009
Originally posted on June, 5, 2007
With Cézanne came the painters concern for the problems of man. Improvement of life as well as the world became important concerns. These are vital concerns but it is a mistake for the painter to directly address them. Our concern is to explore perception and visual experience.
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April 27th, 2009
Originally posted on May, 26, 2007
I am receiving some e-mails with comments and questions seeking clarification. I am very much encouraged by them. These people have a unique quality that is all too rare these days. It is not many people who think below the surface of things.
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Posted in Art |
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April 26th, 2009
Originally posted on May, 17, 2007
Can we reflect and reason without ego constructed thoughts forms? I believe that there is a form of thinking which is not ego based. First can we agree that there is a border between reflection and experience? Is there a relationship between the two? I am not thinking of reflection as thinking subject and experience as the experienced object. That is dualism. But is there an essential relationship? This question is at the heart of the most intelligent discourse on art over the last century.
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