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ARTIST-ART

More Freedom from Content

Sunday, May 3rd, 2009

Originally posted on January, 24, 2008

My previous article, Freedom from Content, as well as an article posted June 15, 2007, Big Answers, approach the same problem from different directions. At the risk of being repetitious I will broach the subject yet again. Hopefully my attempts to get my mental teeth into this problem will be of interest.

Goethe asserted, “All that we perceive is simply raw material.? This short statement not only answers a basic philosophical question, it also states clearly a basic reality of life. There is an important and significant time lag which normally people ignore. Immediately following our perception of something a number of things happen at such a subtle level and so quickly we jump at the thoughts which come to mind. We all do it. It’s easy and comfortable. But it is these missed sensations, internal body processes, perceptions, etc., which make up the palette of life, the building blocks of experience. The artist is the person who intervenes in this sub-thinking process. The sensations of Cezanne and Matisse can be understood in this context.

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Freedom from Content

Saturday, May 2nd, 2009

Originally posted on January, 7, 2008

"Purple Pool", watercolor, 38cm x 28cm, 100% cotton paper, 2005

On the main page in the gallery section of my website there is a short introduction: “Somehow I have recently gained a certain distance and freedom from the content of painting…? I have just recently acquired this sense of distance. The paintings I am now doing speak to me of it. Understanding is slowly following.

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Are painters rational?

Friday, May 1st, 2009

Originally posted on November, 30, 2007

To the extend that an artist painter is intuitive and instinctive, he does not favour his intellect. This is not to say that he cannot express him/herself logically. It is simply not the priority. Creative expression is often at the top of the list.

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Painting the Universe

Friday, May 1st, 2009

Originally posted on November, 22, 2007

"Man and Nature", watercolor, 52cm x 37cm, 100% cotton paper, 1998.

The uniqueness of the pre and early 60’s San Francisco art movement was …. How to put this? Let me put it this way: at a certain point, it was well understood that those who remember the 60’s were not there. The “scene? if it was anything, was a life changing experience. It changed people. It connected them, in a way, to the entire universe. This was not, of course, the popular “hippie? experience thing. What I’m talking about was the experience of a unique way of experiencing in an intellectual and artistic sense: An intellectual pursuit somewhat removed from rational thinking and directly concerned with the experience of life. Above all it was freedom … freedom to have an individual understanding of our relationship with life. Jung’s work on psychological types helped me a lot in this area. Viva la difference.

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